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  1. Kim Welch

    Ben' Bryant's on sound when the videographer is also the so

    Members who shoot and record sound at the same time: what's in your one-person kit right now? Many solo shooters today use a compact wireless lav system that records a backup in the transmitter, plus a shotgun on the camera. Share your setup and any lessons learned the hard way.
  2. Kim Welch

    20 Composers' Songs in the Network Featured on Front Page, StudentFilmmakers.com

    Composers, we still love hearing your work. Add your tracks to your Filmmakers Network profile at https://networking.studentfilmmakers.com and post new reels in this Composers forum so directors can find you. What are you scoring right now?
  3. Kim Welch

    Jordan Travel Video - Melanie Aronson

    Phones are now serious filmmaking tools. A few tips for travel videos: shoot in the phone's highest-quality mode, lock exposure and focus, hold shots for at least five seconds, and record ambient sound you can use under the edit. Members, have you made a film on your phone? Share it in Showcase.
  4. Kim Welch

    New DSLR Camera Support Systems by ALZO Video

    Camera support has come a long way since 2011, with gimbals, lightweight rigs and cages for every camera size. Members, what's your go-to rig or support setup today, and what made you choose it?
  5. Kim Welch

    Top Post Production Forums List

    Adding a few more that are active and helpful: the Lift Gamma Gain forum for color grading, Creative COW for editing and post-production software, and the Blackmagic forum for DaVinci Resolve questions. Members, what's your favorite post-production community? Add it to the list.
  6. Kim Welch

    need transitions and generator plug ins ?

    Plug-ins can add polish, but the best transitions are usually invisible: match cuts, cutting on action and sound bridges. Today many effects that once required paid plug-ins are built into DaVinci Resolve, Premiere Pro and Final Cut Pro. Members, which transition or effect plug-in do you...
  7. Kim Welch

    BeachTek Announces New Audio Solutions for HDSLR Filmmakers, Videographers and Crew

    A tip that still holds: even with today's better cameras, built-in preamps can be noisy, so an external XLR adapter or recorder with good preamps, set to bring levels up cleanly, makes a real difference in dialogue. Always monitor with headphones and record a little room tone at each location...
  8. Kim Welch

    Great Adaptations: Screenwriting and Global Storytelling, 1st Edition

    Adaptation starts with rights. Before you write a screenplay based on a novel, story, article or someone's life, find out who controls the rights and whether they're available to option. Public-domain works are a great place for students to practice adapting without that hurdle. Members, what...
  9. Kim Welch

    5 New Video Posts Featured on Front Page

    Member videos still get featured. Today the best way to get your film or video in front of our readers is to share it through https://studentfilmmakers.com/submit-news/, post it in the Showcase forum, and add it to your Filmmakers Network profile. What are you working on right now? Share a link...
  10. Kim Welch

    Do you make a Short or a Feature Length Movie

    Coming back to this one with a few facts that help. For the Academy and most festivals, a short film runs 40 minutes or less including credits, and anything longer counts as a feature. Festival programmers especially welcome shorts in the 5 to 15 minute range because they're easier to fit into a...
  11. Kim Welch

    Red one audio

    Today's cameras record far better audio than the RED ONE did, but the dual-system habit is still worth keeping. When you can, jam-sync timecode between your recorder and camera, and still clap a slate on every take as a backup. Members, what recorder are you using on set right now, and do you...
  12. Kim Welch

    20th century Fox Studios Stage 14 the House

    Visiting a working set is one of the best ways to learn. If you get the chance, stay out of the eyelines, keep your phone silent, watch how the camera, grip and electric teams communicate, and save your questions for breaks. Members, have you visited a professional set? What surprised you most?
  13. Kim Welch

    New Summer shorts Entries

    Contests with deadlines are a great way to finish a film. If you're looking for one now, check the Festivals & Contests forum and https://www.videocontests.org/. Members, what's the best contest or festival experience you've had?
  14. Kim Welch

    30 New Photos Posted! From This Week's Film Pitch & Critique with Bill Vartorella

    Pitching to investors is a skill you can practice. Prepare a one-line logline, a one-page summary of the budget and plan, and a short lookbook or teaser, and know exactly what you're asking for and what the investor gets in return. Members, have you pitched a project yet? What question caught...
  15. Kim Welch

    Fixed an error message problem and changed the style of the forums

    We'd love your feedback on the forum today. What do you like, what's hard to find, and which forums or features would you like to see? Post your ideas here.
  16. Kim Welch

    Digital Film Technology will be showing Bones Dailies version 4.0

    Members working in post: how do you handle dailies on your projects today? Many productions now use DaVinci Resolve or cloud review tools to share dailies with directors and producers the same day. Share your workflow.
  17. Kim Welch

    Conrad Hall Quotes

    Conrad Hall's work on Road to Perdition and American Beauty is still studied in film schools everywhere. Members, which Conrad Hall shot or scene stays with you, and what do you think makes it work?
  18. Kim Welch

    Opinion on these new Bounty Hunters

    I apologize for the delay in responding, and thank you for posting. Unfortunately the link may no longer play, so I can't watch it now. Was this a reality-show pilot or a documentary you shot, and what was your role? If it's your work, please repost a current link in Showcase with a few words...
  19. Kim Welch

    Ultimate Madness Fight.

    I apologize for the delay in responding, and thank you for posting. Four days of After Effects work on a fight clip shows real dedication. Fight scenes come down to rhythm: cut on the impact, sell each hit with a quick reaction and strong sound effects, and keep the geography clear so viewers...
  20. Kim Welch

    Funding for Student Filmed Band Documentary

    I apologize for the delay in responding, and thank you for posting. For a student documentary, ask your school first: many programs have small production grants or equipment support. Then try local businesses (a music store or venue may sponsor in exchange for a credit), the band's fans, and a...
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