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will you put the 85 on teh camera or not ?

Why do you want to HMI ? are you shooting daylight stock or tungsten ? the gels used by different ciematographers I know are chrome orange, deep amber or apricot, all looking nearly the same... Another suggestion ?

Most of the 16 mm stock is 1 ridge, nowdays. You can chek on the stock box the mention "1R" for 1 ridge, "2R" for 2 ridges Super 16 is usually 1.66, but you'll have to print 35 anyways, though you can project your dailies print super 16 with a double roll projector, with the sound print on 16...

hello ! Since the shape of the flared image is the one of the iris, you need a lens that has a triangular iris. Some zeiss lenses have a sort of round triangular iris, maybe other optics have, I don't know. Another easy solution is you to make it in post, then you can give it the shape you want...

:lol:

digital supports can occure problems too. Anyway, if the neg is still fine, you can reprint.

Hi everybody, It's back to school and I wouldn't let my topic fall too deep in the forum, anyone else wants to give informations about schools all over the world ?

Interesting point, Kevin

Hi David, nice to see you in this topic ! Say, even on a more "common side", don't you like better 35 mm than HD ?

I really was meanig "if budget wasn't your problem" when saying "if you had the choice" When you ask dops what they like to shoot best with, noyt many choose video... About the safety of video, you know, I heard the same 10 years ago when we had problems with video shot in the 80's... "now...

nice to see you back, Miss (Sorry about that)! Welcome again... Can you tell us more about your studies in Israel ? You can post here for data concerning the different schools in the world (page no longer available)

Don't forget that film cameras are still most used in the short and feature lenghts industry. Most of the theaters in the world won't be able to digital issue before ages ! Shooting in video is not always cheaper when one is concerned with good quality results. Do you know that the broadcast...

You see M. King, of course it is somekind of what we would obviously do... The thing is I sort of wanted this student to find it buy himself. Don't you agree that if he would first have in mind what he wants to see, then it would have been easier and more convenient to help him then ? The thing...

Having a quick visit on the manufacture's site made me see that it's only 60 fields per second...(30 fps)

Good. I am more interested even into knowing what happens in regular courses. I 've seen that "DIT" seems to be quite consensual on the net.

You don't have to thank both, it's Jacob who replied :wink: That is a very interesting question actually, sorry I didn't see the topic sooner... The rythm is the most difficult thing to learn, I think. It comes not only from each shot'rythm, but from the shot put together (as a sequence)...

Mind that if you have many shots intercutting with oneother, you might not get such a "flowing" atmosphere. The cuts cut the action, not make it "flow" (if I understand you well) each shot has to be justified somehow, by what it shows. if you cut and move the camera from one place to another...

It's a question for technical students more than directing ones... I would like to know from you students how your teachers train you to HD cinematography. Do you have technicals courses about the different formats ? What cameras do you work with ? do you learn how to get into the menus and...

It's a question for technical students more than directing ones... I would like to know from you students how your teachers train you to digital video or even HD cinematography. Do you have technicals courses about the different formats ? What cameras do you work with ? do you learn how to get...

What do you mean about technical tips ? the lens that would give you the approximate field of view of the human eye? Do you plan this sequence to be all subjective or cut different shots ? what rythm do you feel it should have ? what is the backgroud like ? is it night or day ?....