What do you do in situations where you have a abundance of overhead fluorescent lighting like in an office? I'm shooting a short student project so obviously we don’t have the budget to use corrected bulbs. I have some 4x4 kinos that I will use for key should I gel them plus green? When I...
What do you do in instances where you have pretty much 50/50 of sunlight and shade? Do you use HMI's to fill in the shade areas or split the exposure? I was wondering how you keep your ratios balanced in instances where you might have a patch of shade from a tree than a patch of sunlight and so...
Do you usually gel your light to match tug. practicals or ceiling lamps? Can you get away with just keep your light straight 32k on your subjects as long as the lamp isn't super orange like a candle flame. Thanks
What is a good unit to mimic a stage spotlight? I have a scene in an upcoming S16 short where a character is on a stage singing. I want to motivate a unit like a spotlight so I was thinking of using like a 2k (maybe with the lens off) and overexposing it a stop to make it feel a little hot like...
What do you do in situations where you want to underexpose African American actors? I've searched through the forums and found situations where you may underexpose a face 1 stop that is backlight by the sun or 2 stops for moonlit backlight. Do you do the same for darker skinned actors? Or can...
When shooting under fluorescents and using a grey card to time out the green, do you also need to match your other lighting units to the fluorescents?
If those units aren’t matched (HMI or tug) by taking out the green are color temps shifted?
I'm coming upon a shoot for my last semester project. It has a lot of night scenes. I was just wondering with my exposure how can I replicate the feeling of eyes adjusted to darkness? I was thinking of underexposing my key a little more then a stop (may 1 and a half) and letting darker areas go...
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