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  1. Kim Welch

    Working on some special effects, need advice.

    I apologize for the delay in responding, and thank you for posting. The link may no longer play, so I can't see the animation. Can you describe the effect, or share a current link? If it's motion graphics, After Effects or free tools like Blender and DaVinci Resolve's Fusion page are good places...
  2. Kim Welch

    Pics of a stage/or whatever's lighting set-up

    I apologize for the delay in responding, and thank you for posting. Great idea for a thread! For a basic interview: a key light at about 45 degrees to the subject, a fill or bounce on the other side, and a backlight to separate them from the background. For green screen, light the screen evenly...
  3. Kim Welch

    Easy light wrap techniques (green screen)

    I apologize for the delay in responding, and thank you for posting. Light wrap is one of the best tricks for believable keys, so thank you for sharing what you learned. Today After Effects, Nuke and DaVinci Resolve's Fusion all include light wrap tools, and keeping the effect subtle is the key...
  4. Kim Welch

    16 mm Arri SR1 for short

    I apologize for the delay in responding, and thank you for posting. Offering an Arri SR1 with lenses and magazines to other filmmakers is generous. If it's still available, list it on the Filmmakers Network at https://networking.studentfilmmakers.com and in our Cameras, Lenses & Gear forum with...
  5. Kim Welch

    shooting a short movie

    I apologize for the delay in responding, and thank you for posting. Wireless lavs on each actor give the cleanest dialogue, especially in wide shots, and a boom mic is a great backup. For guns, safety first: use non-firing replicas from a prop house with an armorer on set, notify local police...
  6. Kim Welch

    Basic Room Lighting(+ more?)

    I apologize for the delay in responding, and thank you for posting. For a 1950s pin-up look on a white background, use a large soft key light from the front and slightly above, plus fill or a reflector to keep shadows gentle, which matches the glamour style of that era. Light the white...
  7. Kim Welch

    Need Help!

    I apologize for the delay in responding, and thank you for posting. The classic clone shot is a split screen. Lock the camera on a tripod, keep the exposure, focus and white balance fixed, and shoot the actor on one side of the frame, then the other side. In your editor, stack the two takes and...
  8. Kim Welch

    Best file format for outpot link to ppt presentation

    I apologize for the delay in responding, and thank you for posting. Today the safest choice is an H.264 MP4 file, which current versions of PowerPoint on Windows and Mac play reliably. Export at the size you need (1920x1080 or 1280x720), and embed the video in the presentation rather than...
  9. Kim Welch

    Orchestral/dance/grunge

    I apologize for the delay in responding, and thank you for posting. Orchestral, dance and grunge is an unusual range, which can be a real asset for directors working in different genres. If you're still writing for film, post a short reel of cues in this forum and on a Filmmakers Network profile...
  10. Kim Welch

    What do you guys think of this light kit?

    I apologize for the delay in responding, and thank you for posting. Budget tungsten kits like that one can work for learning, but they get very hot and draw a lot of power. Today affordable LED panels and COB lights are the better buy for students: they run cool, often work on batteries, and...
  11. Kim Welch

    Horror Short Proposal Finally Done

    I apologize for the delay in responding, and thank you for posting. Congratulations on finishing the proposal for Little Alice & Abner. For a short, start with the people closest to you and your community: crowdfunding with a clear video pitch, local businesses that might sponsor in exchange for...
  12. Kim Welch

    Aperture Control on Sony HDR-HC1

    I apologize for the delay in responding, and thank you for posting. Small-sensor camcorders like the HC1 give deep depth of field, so even wide open it's hard to blur backgrounds. To get shallower focus, open the iris as far as the camera allows (an ND filter helps keep exposure right), zoom in...
  13. Kim Welch

    Blame Engineer Animations

    I apologize for the delay in responding, and thank you for posting. Mixing claymation with live action and animating hand-drawn images with stop-motion methods are both labor-intensive, and it's great to see a duo committing to that craft. If you're still making work, post it in Showcase and...
  14. Kim Welch

    drawing line, curvey shapes

    I apologize for the delay in responding, and thank you for posting. In After Effects, use the Pen tool on a shape layer to draw lines and curves, then animate them with Trim Paths for a drawing-on effect. For your logo, save it from Photoshop as a PSD with a transparent layer or as a PNG with...
  15. Kim Welch

    Help with funding for Canon XL2

    I apologize for the delay in responding, and thank you for posting. Filming the Holocaust documentary in Poland sounds like a powerful experience. For gear funding, many small video businesses finance equipment through their earnings, a small business loan, or by renting the bigger camera for...
  16. Kim Welch

    After Effects MJPEG-A renders jittery in FCP

    I apologize for the delay in responding, and thank you for posting. If one machine renders smoothly and another doesn't with the same settings, the codec is the likely difference, since different M-JPEG A implementations can handle field order differently. Check field dominance in the codec...
  17. Kim Welch

    For: Directors who need help picking the right MUSIC

    I apologize for the delay in responding, and thank you for posting. You're right that music can define a film's ending and its emotional impact. Thank you for offering to help directors choose music. If you're still doing this, post here in Directing and in the Composers forum, and create a...
  18. Kim Welch

    Timur Bekmambetov

    I apologize for the delay in responding, and thank you for posting. Bekmambetov's films like Night Watch are full of bold visual ideas, often from small teams working with standard compositing and 3D software. To build an effects house, start with a strong compositing artist using tools like...
  19. Kim Welch

    Streaming

    I apologize for the delay in responding, and thank you for posting. Today the standard for streaming is H.264 or H.265 in an MP4 file. Export a high-quality master from Avid first, then encode it with free tools like HandBrake or Adobe Media Encoder at your platform's recommended settings...
  20. Kim Welch

    Canon XL1s- friend or Foe?

    I apologize for the delay in responding, and thank you for posting. Many XL1s owners found that its default settings looked softer or different from a GL2, so matching the two on a shoot takes some setup. Turn off any custom presets, set white balance manually on both cameras using the same...
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